Carol Anne Osborne is a soprano and voice teacher based in Northwest Florida. Her work includes opera, concert, choral, and musical theatre performance alongside private voice teaching and vocal pedagogy.

In the 2026–2027 season, Osborne joins the chorus at Pensacola Opera for Puccini’s Tosca. Recent performances include Nettie Fowler in Carousel with Spanish Trail Playhouse, Mother in Amahl and the Night Visitors and soprano solos in Handel’s Messiah with the Episcopal Church of the Nativity, and La Traviata with Peach State Opera. She has also performed with the Northwest Florida Unity Choir and Emerald Coast Chorale.

Osborne was a Studio Artist with Chicago Summer Opera, performing Donna Anna in Don Giovanni and Miss Wordsworth in Albert Herring. Other performances include Théodore Dubois’ The Seven Last Words of Christ and the Fever Chicago Candlelight Concert series. Her concert and sacred repertoire includes Handel’s Messiah, Mozart’s Exultate, jubilate, Duruflé’s Magnificat, Thompson’s Tenebrae, and Saint-Saëns’ Oratorio de Noël.

She founded CAO Studios in 2013, where she teaches singers in classical, musical theatre, and contemporary repertoire with an emphasis on vocal technique, musicianship, and sustainable voice use. Her work through the studio also includes low-cost and scholarship-supported programming intended to make voice study more accessible.

Osborne holds a Master of Music in Voice Performance from Florida State University, where she served as a Graduate Teaching Assistant in applied voice and musical theatre, and a Bachelor of Science in Music Industry, cum laude, with a theatre minor from Troy University. She was previously a Studio Artist with Druid City Opera, performing Donna Elvira in Don Giovanni and Frau Fluth in Die lustigen Weiber von Windsor, and an Artistic and Administrative Apprentice with The American Opera Project, where she participated in the premiere reading of Lewis Spratlan’s Midiat OPERA America.

Her honors include an Encouragement Award from the Metropolitan Opera National Council Auditions, First Place at the NATS National Finals (Upper College Women), Grand Prize at the Alabama Federation of Music Clubs Competition, and two Grand Prizes at the VANN Vocal Institute.

In 2025, Osborne completed the Acoustic Vocal Pedagogy Workshop through Embodied Music Labs, studying with Ian Howell and Kenneth Bozeman. She is currently a candidate for New York University’s Certificate in Vocology and is the host of the voice-focused podcast Down to Resound.